Abbas Milani’s The Shah gives a portrait of Iran’s last monarch, Muhammad Reza Pahlavi, and the impact that his downfall forty years ago continues to have in the Middle East, notably the emboldening of the Islamist movement. Continue reading →
To even pose the question is, for most of us, to be already well-advanced down the road of madness that leads to saying the U.S. federal government murdered President John F. Kennedy. Dr. David Kaiser’s The Road to Dallas (2008) rejects such vast conspiracy theories, as it does the notion of Lee Harvey Oswald as the lone killer. Kaiser instead argues for a more limited conspiracy, led by the mob bosses of mid-20th century America, and originating in the grey-zone where that world met the Cuban exile community and the Central Intelligence Agency’s efforts to bring down Fidel Castro. Continue reading →
The Final Year, a new documentary film directed by Greg Barker, tracks the closing stages of the administration of President Barack Obama in 2016. Senior officials are followed and interviewed, and the White House is watched as it tries to react to daily events. Much of the substance contained in the film was knowable in real time, but it is very useful to have these officials on record—on video, no less—explaining the assumptions and thought processes they were operating with as they made decisions that led to a series of such intense disasters around the world. This is especially interesting since the ripple effects from these catastrophes ultimately set the conditions for the election of Donald Trump and dismantling of much of the Obama legacy. Continue reading →
Snowden never, ever recovers from its premise: that Edward Snowden, a super-capable, pure-hearted all-American, found terrible government crimes against the American population while working at the National Security Agency, and was moved to disclose them to the world after being stymied in official channels.
Literally none of that is true. The Snowden revelations found mistakes that were generally cleared up by an efficient and functional bureaucratic oversight mechanism. Snowden did not try to go official channels in the way he described, and the bulk of what Snowden revealed was nothing to do with the privacy of Americans but was related to foreign intelligence, where the legal and practical situation is that everyone hoovers up as much data as they can. The capabilities of the Snowden presented here, personal and professional—to say nothing of Joseph Gordon-Levitt’s Snowden’s motives—would not withstand scrutiny for a single second against the actual historical record. This could be said fairly generally of the whole film. Continue reading →
It was shockingly bad. One had known the contours of the story going in, but even bracing oneself for a Grassy Knoll enterprise will not prepare one for how sheerly dull and ludicrous is this film. Add to that the two-hundred minutes running time, and it is unbearable. Continue reading →